Movies Update: Our final Oscars report of the season.
Plus, “Project Hail Mary” hits theaters.
Movies Update
March 20, 2026

Hi, movie fans!

Whew, we made it! After an extra-long awards season (the Olympics meant a later Oscars ceremony date), the academy brought it all to a close with what seemed to me to be a pretty good show that spread the bounty around. “One Battle After Another” took six Oscars (including best picture), “Sinners” received four, “Frankenstein” three and “KPop Demon Hunters” two. (Here’s the complete winners list.) The host Conan O’Brien’s opening “Weapons” spoof was fun, and the In Memoriam segment wasn’t terrible. Our critics Manohla Dargis and Alissa Wilkinson agreed.

My own reaction comes with an asterisk: We on the film desk are working on reports and updates at a furious pace as the ceremony is playing out and can only watch the show sporadically — an acceptance speech here, a reaction shot there. Still, I think we captured it pretty well in our roundup of the best and worst moments of the night.

Like an election, the day-after coverage is just as important with the Oscars, and that included looking at how the suspenseful best actor race played out. Kyle Buchanan talked with voters at the after-parties and came away with the understanding that Michael B. Jordan won the Oscar on his first try thanks to a smoothly run campaign on behalf of a movie that the academy members loved. Buchanan also explained what happened to Timothée Chalamet, who was long seen as the front-runner in that category.

Now that another edition of the Oscars is over, we’re turning to the spring lineup of movies, starting with “Project Hail Mary,” which you could describe as “E.T.” meets “Gravity.” The film received a largely positive review from Dargis, who wrote that “the directors Phil Lord and Christopher Miller appreciate the terrors of space, but they also get the allure of space and its seemingly infinite potential for beauty, for mystery and especially for play.”

Speaking of Lord and Miller, my colleague Esther Zuckerman has an interview with the directors. They may be best known for animated hits like “The Lego Movie” (and for producing the “Spider-Verse” films). But they were also fired from “Solo: A Star Wars Story.” They say they took lessons from that experience into “Project Hail Mary.”

What else is in theaters? “Ready or Not 2: Here I Come,” the sequel to the deranged 2019 original, returns for another eat-the rich tale, and Wilkinson approves, writing in her review that “it’s still unpredictable and hilariously bizarre.”

Whatever you decide to watch, enjoy the movies!

THE OSCARS

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Philip Cheung for The New York Times

Best and Worst Moments From the 2026 Oscars

There was a lot to take in, from Michael B. Jordan’s thrilling win to the perplexing “bum drum.”

By The New York Times

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The New York Times

Oscars Viewership Slides 9%, Its First Drop Since 2021

The 17.9 million total followed similar drops for the Grammys and the Golden Globes.

By John Koblin

Gwyneth Paltrow, in a long white dress and holding a white light in her right hand, talks with Ethan Hawk, who wears a tuxedo. She is seen from behind and he holds her by the waist.

Philip Cheung for The New York Times

Audience Report

In the Oscars Audience, Stars Caught Their Breath

Our photographer captured unguarded moments with Michael B. Jordan, Paul Thomas Anderson, Gwyneth Paltrow and other celebrities in the crowd.

By Philip Cheung

In a photo taken at an angle, a broadly smiling Michael B. Jordan, wearing a buttoned-up black jacket, holds a gold statuette. Behind him on a wall is the word “Oscar.”

Nina Westervelt for The New York Times

The Projectionist

How Michael B. Jordan Won Best Actor

The “Sinners” star became the consensus pick as voters soured on Timothée Chalamet, the “Marty Supreme” lead. It helped that the winner is a bankable performer.

By Kyle Buchanan

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Chris Pizzello/Invision, via Associated Press

‘Golden’ Songwriters Would Like to Thank, Well, Not the Cutoff Music

After the hit song from “KPop Demon Hunters” made Oscars history, a snare drum and a crashing cymbal mercilessly drowned out the winners.

By Derrick Bryson Taylor

Two figures in black attire hold four gold statuettes. Their faces aren’t shown.

Nina Westervelt for The New York Times

Critics’ Notebook

For Once, the Oscars Got a Lot Right (Even the In Memoriam Segment)

The ceremony figured out how to celebrate movies and the people who make them. It even understood Robert Redford’s place in American cinema.

By Manohla Dargis and Alissa Wilkinson

In a darkly lit outdoor scene, a woman holds the receiver of a pay phone to her left ear.

Warner Bros.

Critic’s Notebook

The Politics of ‘One Battle After Another’ Are Clear on One Point

Teyana Taylor’s character of Perfidia Beverly Hills is the most radical part of Paul Thomas Anderson’s Oscar-winning movie.

By Maya Phillips

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Sinna Nasseri for The New York Times

Inside the Governors Ball 2026 Oscars Party

Michael B. Jordan, Jessie Buckley, Paul Thomas Anderson, Leonardo DiCaprio and other nominees and winners celebrated at the official Academy Awards after-party.

By Sinna Nasseri

CRITICS’ PICKS

Two women sit in a large room restrained to chairs, both with bloodstained clothes. The woman on the left looks distressed, while the woman on the right screams. Several people are in the background, watching them in a dimly lit room.

Searchlight Pictures

Critic’s Pick

‘Ready or Not 2: Here I Come’ Review: The Blood Is Thicker

Grace must once again survive the night, this time with her sister, in a gory, unhinged sequel that harbors a bleaker heart than the original.

By Alissa Wilkinson

A man kneels on court steps, picking up papers, while looking at a someone in military attire in front of him.

Janus Films

Critic’s Pick

‘Two Prosecutors’ Review: Practicing Law in a State of Fear

Set in the Soviet Union in 1937, this investigative drama follows one man’s mission for justice within a corrupt system.

By Nicolas Rapold

A man and woman sit in a red convertible while another woman, with her back the camera, looks at them.

Capital Pictures, via Alamy

Critic’s pick

‘Miroirs No. 3’ Review: Kindness and Its Reverse Image

In the lovely new movie from the acclaimed German director Christian Petzold (“Barbara”), a woman wakes to life after an accident.

By Manohla Dargis

A woman, smiling, and a man, both seemingly fighting weightlessness in the Space Shuttle Discovery as papers fly out of a printer.

Haviland Digital in association with Tigerlily Productions/Sphere Abacus

Critic’s Pick

‘Spacewoman’ Review: Mission Driven

Hannah Berryman’s engrossing documentary on Eileen Collins, the first female space shuttle pilot and commander, focuses on managing pride and fear.

By Lisa Kennedy

MOVIE REVIEWS