|
|
|
|

|
By Blair Jackson. A stinging critique of the 1980s even as they happened, Dire Straits' "Money For Nothing" had a lengthy genesis, as related here by engineer Neil Dorfsman.
|
|
|
|
|
Achieve best-in-class OTIF enabled by warehouse robotics—without the upfront cost. Warehouse automation requires massive capital, long-term contracts, and years to implement. Fortunately for you, Exol™ already made the investment. You get world-class robotics and a nationwide network without the capital commitment or decade-long lock-in. Learn More.
|
|
|
|
| ADVERTISEMENT |  |
|

|
By Tim Morse. Although the album, The Lamb Lies Down on Broadway, was not a tremendous success when originally released (it hit Number 10 in Britain and Number 41 in America), it became perhaps their most respected work
|
|
|
By Blair Jackson. "For the Love of Money" made it to the Top 10 in the spring of 1974 (Number 9 pop, Number 3 R&B) and catapulted the group's Ship Ahoy album to Gold status.
|
|
|
By Barbara Schultz. Whether you label it power-pop, rock or AOR, Rick Springfield's "Jessie's Girl" is a classic mix of a memorable hook, taut storytelling and producer Keith Olsen's clean production style.
|
|
|
By Blair Jackson. Not too many people these days know about the Chamber Brothers, but when their first Columbia album, The Time Has Come, was released in late 1967, it was a very big deal.
|
|
|
|
|
Elevate your product feeds from mere compliance tools to AI-enhanced assets. Join us to uncover methods of improving findability through strategic trust and intent signals, crucial for the evolution of Agentic Commerce. Register now!
|
|
|
|
|
|

|
By Jason Bache. Chicago mix engineer Chris Gelin rebuilt his entire studio around one rule: fewer parts, zero failure points. With OWC Docks at the heart of his rig, he gets the speed, stability, and trust that keep every session focused on what matters: the music. •SPONSORED•
|
|
|

| Free eBooks and Resources |
|
|

|
The deadline to enter NAB-exhibiting products into the Best of Show Awards 2026 is Friday, April 3, 2026!
|
|
|
It's our fourth year — meet us on Music Row for a fresh lineup of expert panels, cutting-edge tech and exclusive sessions inside iconic recording studios!
|
|
|
| | | |