Movies Update: What made the Golden Globe nominee cut, and what didn’t.
Plus, the best genre movies of the year
Movies Update
December 12, 2025

Hey, movie fans!

How about those Golden Globe nominations?

As usual, it’s a hefty list. The Projectionist, a.k.a. our Oscars expert, Kyle Buchanan, wrote about what got left off (namely “Wicked: For Good” in the best musical or comedy category) and what surprisingly made it on (both of Richard Linklater’s comedies from the year, “Blue Moon” and “Nouvelle Vague”).

One of the most nominated films was “Sinners,” which received seven nods, including best motion picture drama. Its director, Ryan Coogler, was among the nominees and Buchanan caught up with him recently on the Warner Bros. lot in Burbank. The filmmaker, who is having one of the best years of his career, spoke about the drive to make a connection to his audience.

“My mission every time I pick up a camera is to know that the only reason I have this job is because we’re basically all the same in different circumstances,” he said.

In theaters this week is the latest film from the comedy veteran James L. Brooks, “Ella McCay.” But this one left our critic Alissa Wilkinson more confused than amused. In her review, she called it “a real baffler of a movie, the sort where you repeatedly wonder if you somehow dozed off briefly.”

On the art-house front, there’s “Resurrection,” the latest fever dream of a film from Bi Gan that evokes the nature of moviemaking itself. In her critic’s pick review, Manohla Dargis called it a “beautiful, sprawling and boundary-pushing hallucination.”

And if you’d like to catch something at home, you have some good options. The latest installment in the “Knives Out” mystery series, “Wake Up Dead Man,” has just landed on Netflix. Wilkinson made it a critic’s pick, calling it a “bawdy romp with a stacked ensemble cast, chock-full of twists and turns, and laced with winking contemporary references.” About that ensemble: You can see them at work in this scene from the film, which includes commentary from its writer and director, Rian Johnson.

And if you’d like to go further down the genre lane, our experts on horror, sci-fi, action and international cinema made their selections for the best of the year. Go check those out, and enjoy the movies!

CRITICS’ PICKS

A girl in shorts and a yellow-print shirt holds hands with a man in a striped outfit on a city street, illuminated from behind by a light in the distance.

Gabor Kotschy/Roadside Attractions

Critic’s Pick

‘Dust Bunny’ Review: A World of Wonders, Familiar and Foreign

The movie, starring Sophie Sloan and Mads Mikkelsen, is a blast of visual delights.

By Manohla Dargis

Two men sit in a car at night. The man in the drivers seat looks forward seriously, while the man in the back seat leans toward him, holding a cloth and appearing tense.

Netflix

Critic’s Pick

‘Wake Up Dead Man: A Knives Out Mystery’ Review: Forgive Them, Father

Josh O’Connor leads a star-studded cast in the latest Benoit Blanc mystery — this one, about religious cults of personality.

By Alissa Wilkinson

ANATOMY OF A SCENE

A man in a red robe looks upward with a worried expression, holding up his hand with two fingers covered in blood.

Netflix

Anatomy of a Scene

Watch an Ensemble Scene From ‘Wake Up Dead Man: A Knives Out Mystery’

The writer and director Rian Johnson narrates a sequence from his film.

By Mekado Murphy

MOVIE REVIEWS

In between two buildings, a helmeted figure draped in red -and-white fabric carries a bullhorn. Nearby are several people including one with a fist in the air.

Rustin Thompson/WTO/99

Documentary Lens

The Protesters and the Police Are Both the Focus and the Filmmakers

To tell the story of the demonstrations surrounding a World Trade Organization meeting, “WTO/99” assembled scenes shot by the participants themselves.

By Alissa Wilkinson

A woman in an oversize jacket and a man in a vest and loose button-up shirt stand next to a car on a dirt road.

Vertical

‘Atropia’ Review: No Escape From Reality

Alia Shawkat and Callum Turner fake it so real in this Army simulation exercise in the California desert.

By Glenn Kenny

A woman in a blue shirt and a man in a white T-shirt look at each other across a picnic table. The woman pets their dog.

Dana Hawley/Prime Amazon Content Services LLC

‘Merv’ Review: Not Much to Gnaw On

Zooey Deschanel and Charlie Cox play a former couple who share a dog in this shaggy rom-com that fails its titular lead.

By Lisa Kennedy

A hand holds a bloody Santa figurine above a box filled with packing peanuts.

Cineverse

‘Silent Night, Deadly Night’ Review: A Slasher Gets a Giddy Reboot

This delightfully trashy entry in the seasonal subgenre follows a killer Santa with a heart, and a case of blood lust.

By Beatrice Loayza

A swirl of colors like paint swatches are shown unfurled, with tiny numbers underneath each box of color.

Picturehouse

‘The King of Color’ Review: He’s Just Into Hue

In a new documentary, the creator of the Pantone system explains how he standardized colors across the globe.

By Ben Kenigsberg

NEWS & FEATURES

Five people in summery clothes stand, side by side, with a mountain out of focus behind them in the distance.

Fabio Lovino/HBO

Golden Globe Nominations Confirm the Allure of Warner Bros.

The studio’s film “One Battle After Another,” and an HBO show it owns, “The White Lotus,” scored the most nominations for movies and television shows.

By Nicole Sperling

Article Image

This Year’s Film Performances Were So Good, We Had To Invent New Awards

Best Acting in a Helmet, Best Nervous Breakdown, Craziest Charm—the film performances so good Wesley Morris had to invent his own categories.

By Wesley Morris

Taylor Swift, onstage in a sparkly bodysuit, standing in front of a giant video screen.

Cassidy Araiza for The New York Times

Taylor Swift’s ‘The End of an Era’: 5 Takeaways

The six-part Disney+ series goes behind the scenes of the pop star’s record-breaking Eras Tour, revealing some of her creative processes and struggles.

By Esther Zuckerman

Albert Serra waves his right hand toward the camera.

Elliott Verdier for The New York Times

Searching for Beauty in the Bloodshed of Bullfighting

Albert Serra’s documentary “Afternoons of Solitude” seeks something transcendent in a tradition that many people, in Spain and elsewhere, find barbaric.

By Carlos Aguilar

In a darkly lit shot, a woman bundled up in a puffer and wearing sunglasses is followed by people including another woman on a phone.

Sundance Institute